Convene Hospitality Group
A1 Audio Engineer, Live Events (part-time)
New York, NYpart-timemidAdded today
About this role
Convene Hospitality Group seeks an experienced A1 Audio Engineer to manage audio production for high-end live events across Manhattan venues, including galas, conferences, fashion shows, and corporate gatherings. This part-time-to-full-time shift-based role requires expertise in sound system setup, operation, and troubleshooting to deliver world-class audio experiences.
What you'll do
- Set up, test, and operate audio equipment including microphones, mixing consoles, speakers, and playback systems for live events
- Monitor and adjust audio levels, equalization, and parameters to maintain optimal sound quality throughout events
- Troubleshoot and resolve audio technical issues quickly to minimize event disruptions
- Inspect, maintain, and perform routine repairs on audio equipment to ensure reliability
- Collaborate with event coordinators and production teams to understand audio requirements and deliver tailored solutions
- Document audio setups, configurations, and equipment inventory; provide technical guidance to staff and clients
What they're looking for
- Audio equipment operation (mixing consoles, microphones, speakers, Dante network management)
- Sound quality optimization and equalization
- Technical troubleshooting and problem-solving
- Equipment maintenance and repair
- Digital audio workstations (DAWs) and audio editing software
- Collaborative communication and client interaction
- Safety protocol compliance
- Attention to detail and acoustic precision
Benefits
- Hourly rate of $55 with 10-hour minimum guarantee per shift ($550 day rate)
- Flexible scheduling with part-time-to-full-time opportunities
- Work across a prestigious portfolio of Manhattan venues
- Opportunity to work on high-profile events with discerning clientele
- Collaborative environment with experienced production professionals
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Convene Hospitality Group
Likely interview questions
- Walk us through your experience setting up and operating Dante network audio systems in live event environments.
- Describe a time when you encountered a critical audio issue during a live event—how did you diagnose and resolve it under pressure?